These containers are engraved with intricate etchings associated with the oil and steel industries. The containers were inspired by the ancient craft of Toreutics, known in Iran as Qalamzani. What distinguishes this collection from conventional Qalamzani is Samira Hodaei’s innovative use of her painting technique involving dots and points. This endeavour pays homage to the cultural heritage embedded in this craft and highlights the challenges contemporary artisans encounter due to industrialization’s diminishing demand for handmade goods. By carefully applying tar beneath each container—an essential practice for preserving acoustic quality and surface integrity— Samira Hodaei exemplifies her commitment to craftsmanship that upholds the principles of this enduring tradition.
The works are each displayed within a box, accentuating the technical nuances involved in its creation, and inviting viewers to appreciate the delicate interplay between art and industry.
As we navigate a world shifting towards sustainability, the project aims to reflect humanity’s dependence on natural resources while addressing pressing environmental concerns threatening our collective future.
These unique editions are a co-production of the Konschthal Esch on the occasion of the group show Dis-placed II at the Konschthal Esch, 2024-2025.
Material: Qalamzani on copper, tar, glass paint, wooden
Dimensions: 25 x 28 x 10 cm
Quantity: 7 unique edition
Selling price: 900 euros TTC. Available at the Konschthal Esch.
© Christof Weber
© Christof Weber
© Christof Weber